Living After Midnight BLOG — Trevann Rogers, Author

A Concert to Remember: Sir Tom Jones

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It should be no surprise to those who know me that I go to as many concerts as I can. Even in the wake of the passing of the One and Only (Prince), I still have an appetite for good music and talented musicians. When I had the opportunity to see Tom Jones in concert, I knew I had to do it.

I was just a kid when he was on TV, but I remember watching his variety show with my mother. She, like many women in her day, was entirely smitten by him. Not only could the man sing, but he could Move. That's Move, with a capital M. Move in the way that, even just watching, your body remembers. Yeah, my mother would have been one to toss her bra and panties on stage if she'd gone to a show. (They don't still do that, by the way. I wish they did. I probably would have joined in.)

Today, Sir Tom is 78. It would be untrue to say that he is sexy for a man of his age. He is gorgeous and sexy for ANY age! The salt and pepper hair and beard, that freaking twinkle in his eyes...The man still has it. But when he started to sing, I nearly slid off of my seat. His voice is exquisite. It has always been extraordinary and it is still. Strong. Perfect. One of the songs he sang was Tower of Song, by Leonard Cohen. It is so beautiful it brought tears to my eyes. Tower of Song.  He also did a slow, uber sexy version of his hit, Sex Bomb. Sexy with a capital S. Sexy in the way that even just listening, your body remembers--Listen for yourself::Sex Bomb on YouTube

Unfortunately, the Foxwoods audience wasn't well-behaved enough for me to completely immerse myself in the music. The group of entitled, middle-aged beer drinkers sitting right in front of me (six deep, men and women) were loud, continually in and out of their seats getting--guess what--more beer. When they weren't shouting to each other or drinking, they were on their phones or drunkenly begging my friend to dance with them. I guess I looked too irritated to bother asking.

Sir Tom sang and played with the audience for a full two hours, no break. When he broke into his fast hits like  Delilah, What's New Pussycat?, She's a Lady and It's Not Unusual, the crowd went wild. So did I.

And its no wonder. Guess when he was born? June 7th.Same day as Prince.

Ladies and gentlemen, there are no coincidences.

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Characters and Settings: How I Keep It Together #MFRWAuthors

I stumbled around for a long time trying to work out a system of getting characters and settings settled in my mind. I usually start with an actor who could play the character I have in mind. Being able to see real people makes their physical characteristics easier to describe.But after awhile I tended to mix them up with other characters in the book—or even another book. Sometimes I totally forget what I’ve written. My haphazard records didn’t ensure that my characters eye color or hair didn’t change from one page to the next. In 2009, everything changed. I discovered a book called Break Into Fiction by Mary Buckham and Dianna Love. I worked through all the exercises and pulled all my notes together. I didn’t have to generate new information about my characters but this book gave me a record keeping system.

Since then I’ve looked at several systems for creating characters and settings but none have been as helpful as this book. Moreover, I attended two weekend workshops with Ms. Buckham which cleared up questions I had.

I’m afraid I’m not as particular about settings. The ones in my books tend to be real places I have been or seen. For example, Zander’s apartment in House of the Rising Son is modeled after Brian Kinney’s loft in Queer as Folk. Although I may change a few things, having concrete places in mind keeps me from having settings change constantly.

Today when I have a new plot percolating, one of the first things I do is to pull out my copy of Break Into Fiction and tackle those worksheets. I may not come up with all the answers when I start but this system reminds me that I need to know them to finish.